The following essay was first published on the now defunct blog http://antyphayes.blogsome.com/ on 9 January 2008. I wrote it in response to the “revelation” that the Warhol Brillo boxes then on display at Brisbane’s Gallery of Modern Art were “fakes”. Of course the revelation was nothing of the sort. Warhol, like the detestable Avida Dollars, was never above faking his own work — not to mention working his own fakes. In the case of the Brillo Boxes, Warhol’s “creativity” amounting to reproducing what had already been mass reproduced in a factory. Which is to say, a slight variation on Duchamp’s readymade with none of the original’s verve or corrosive criticism.
One of the themes of this piece is the venality of self-professed “internationally renowned art experts” like Pontus Hulten. As wiser people have remarked about such shady characters, they’re only in it for the money.
There are a few things I would change if I was writing…
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